Lars von Trier, 22 June 2004

Enriched darkness

“Modern productions employ a maximum of visual impressions from start to finish: usually grandiose, partly abstract sets in which an act of the opera takes place. With a bit of luck the sets allow a few different places to position the characters so a smidgeon of visual development does take place. Inevitably, however, the result is that the audience reads the set in an instant, where after it simply becomes a place where the whole thing happens. At worst the audience soon begins to wonder how on earth the large number of performers can make their entrances, let alone their exits. This can be quite entertaining for an audience trying to kill time, but it does not promote positive communication with the production on the part of the spectator.”

Published by

Jose Nuno Sampaio

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